
I have just finished reading probably the best known Japanese-language book of the last fifty years,
Norwegian Wood, by
Haruki Murakami. It is a coming-of-age tale of sorts, told in
Murakami's trademark flat, almost naive style. I don't know what I love so much about
Murakami. Any attempt to describe why I find his work compelling sounds lame - but I could name the
likeably flawed, cultured and fragile central characters, the accumulation of quotidian detail about coffee, cigarettes and so many bowls of
miso and noodles, the obsession with jazz and hip sixties pop or the
blossomings of explicit sex dotted innocently throughout the narrative.
Close reading of the book shows that the lyrics of Lennon & McCartney's classic song resonate throughout the plot which tells of a young boy whose life is blighted by the early suicide of a best friend who then finds himself tied emotionally,
erotically and
metaphysically to the friend's ethereal and brittle lover Naoko. His attempts to live in the world of the living and not just exist in the world of the dead form the main drive of the narrative. The most refreshing and
loveable character for me is
Midori (Japanese for
green), a sexually adventurous and fun-loving girl who has her own share of pain but stands in the book for the pert, fickle, unquenchable flame of life.